One chapter left until I have a complete draft. A long, unwieldy, messy draft. But still…a complete draft.

sans-soleil:

The Big Heat (dir. Fritz Lang — 1953)

One of my faves.

(Reblogged from filmnoirandfemmefatales)

So basically, former stars of NBC dramas are more heroic than Superman in Man of Steel.

Jeff catches Julia burgling his house.

School’s Out Forever.

Man Of Steel: Why Does Superman Let Them Die?

But about the time we got to the big Smallville fight, my Spider-Sense began to tingle. A lot of destruction. A lot of destruction–and Superman making absolutely no effort to take the fight, like, ONE BLOCK AWAY INTO A CORNFIELD INSTEAD OF ON MAIN STREET. Still, saving people here and there, but certainly never going out of his way to do so, and mostly just trying not to get his ass kicked. (I loved Clark Kent’s pal, Pete Ross, and not just because they cast pre-teen Mark Waid as Pete Ross.)

And then we got to The Battle of Metropolis, and I truly, genuinely started to feel nauseous at all the Disaster Porn. Minute after minute after endless minute of Some Giant Machine laying so much waste to Metropolis that it’s inconceivable that we weren’t watching millions of people die in every single shot. And what’s Superman doing while all this is going on? He’s halfway around the world, fighting an identical machine but with no one around to be directly threatened, so it’s only slightly less noticeable that thousands of innocents per second are dying gruesomely on his watch. Seriously, back in Metropolis, entire skyscrapers are toppling in slo-mo and the city is a smoking, gray ruin for miles in every direction, it’s Hiroshima, and Michael Bay and Roland Emmerich are somewhere muttering “Too far, man, too far”…but, you know, Superman buys the humans enough time to sacrifice many, many of their own lives to bomb the Giant Machine themselves and even makes it back to Metropolis in time to catch Lois from falling (again), so…yay?

And then Superman and Lois land in the three-mile-wide crater that used to be a city of eight million people, and the staff of the Planet and a couple of other bystanders stagger out of the rubble to see Superman and say, “He saved us,” and before you can say either “From what?” or “Wow, these eight are probably the only people left alive,” and somehow–inexplicably, implausibly, somehow–before Superman can be bothered to take one second to surrender one ounce of concern or assistance to the millions of Metropolitans who are without question still buried under all that rubble, dead or dying, he saunters lazily over to where General Zod is kneeling and moping, and they argue, and they squabble, and they break into the Third Big Fight, the one that broke my heart.

-Mark Wald, who wrote the comic Birthright which formed the basis for much of Man of Steel, articulates exactly why the indifferent, careless violence and destruction in the movie completely turns Superman into something of a cold, detached alien rather than any kind of hero. 

More here.

gosimpsonic:

That’s some nice brickin’, boy.

(Source: sandandglass)

(Reblogged from gosimpsonic)

I am going to see the Replacements live in August.

Holy. Shit.

(Source: Spotify)

…you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
Pauline Kael (via brightwalldarkroom)
(Reblogged from brightwalldarkroom)

Anonymous asked: What is your blog?

I ask myself that every day. 

think-progress:

ONLY ON FOX: A guest and host speculate that Trayvon Martin could have killed someone with Skittles and iced tea. Watch the absurd exchange.

Guest:: “Didn’t some guy die from Pop Rocks and Coke once? Hell, maybe this is the same thing!” 

Host: “Taste the rainbow, motherfucker! By the time I get to Arizona — YOU’LL BE DEAD.”

(Reblogged from think-progress)
(Reblogged from thereisnoalgebra)
Assume for a moment that some of these measures really have helped make our persons and property safer—are they worth it? Where and when was the public debate on whether they’re worth it? Was there no such debate because we’re not capable of having or demanding one? Why not? Have we actually become so selfish and scared that we don’t even want to consider whether some things trump safety? What kind of future does that augur?
(Reblogged from theatlantic)